| R E P E R T O I R E |

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| OPERA |           

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| CONCERT |

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Barber

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Bernstein

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Burry

 

Debussy

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Donizetti

 

 

Dvořak

 

Gounod

 

 

Handel

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Humperdinck

 

Janaček

Lehar

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Leoncavallo

 

Massenet

 

Menotti

 

Mozart

 

 

 

 

Offenbach

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Poulenc

 

 

Puccini

 

Rossini

 

Somers

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Strauss

 

Stucky

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Tchaikovsky

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Vivier

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Brahms

 

 

Dvořak

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Finzi

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Glick

 

Mahler 

 

Poulenc

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Schumann

 

Vaughan Williams

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Wolf

 

 

 

A Hand of Bridge

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Candide

Trouble in Tahiti

West Side Story

 

Scorpion Sting

 

Pélleas et Mélisande

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L'Elisir d'amore

Don Pasquale

Rusalka

Faust
Roméo et Juliette

Imeneo

 

Hansel and Gretel

The Cunning Little Vixen

The Merry Widow

 

I Pagliacci

Cendrillon

Old Maid and the Thief
 

Cosí fan tutte

Die Zauberflöte

Don Giovanni

Le Nozze di Figaro

 

Les Contes d'Hoffmann
Orphée aux enfers

 

Les Mamelles de Tirésias

Les Dialogues des Carmélites

 

La Bohème

 

Il Barbiere di Siviglia

 

Louis Riel

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Ariadne auf Naxos

 

The Classical Style

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Eugene Onegin

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Kopernikus

 

 

 

 

 

Ein Deutches Requiem

Vier Ernste Gesänge

 

Te Deum

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Let us garlands bring

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South of North: Images of Canada

 

Lieder eines fahrenden Gesellen

 

La Fraîcheur et le feu

Tel jour, telle nuit

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Harfnerlieder

 

Five Mystical Songs

Serenade to Music

Songs of Travel

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Harfnerspieler

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David

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Pangloss/Voltaire

Sam

A-Rab

 

David/Osiris/Scorpions

 

Pelléas*

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Belcore

Malatesta*

 

Hunter/Gamekeeper

 

Valentin*

Mercutio*

 

Argenio

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Peter (father)

 

Forester

 

Pritchitsch

 

Silvio

 

Le Roi

 

Bob*

 

Guglielmo

Papageno*, Erste Prieste

Don Giovanni

Conte Almaviva

 

Lindorf, Dapertutto

Pluton

 

Le Directeur

1st Officer, 2nd Commissioner

 

Schaunard, Marcello * 

 

Figaro

 

André Nault/Prison Guard/British Soldiar

 

Harlekin

 

Tonic/Don Giovanni/2nd Participant

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Eugene Onegin

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Baryton-martin

 

 

| P R E S S |

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 "Perhaps the most captivating voice of all might have been that of the Baryton-Martin character, voiced by Micah Schroeder. From his entry as a kind of Master of Cosmic Ceremonies, enunciating perfectly every syllable of Vivier’s fantasy language, he served as ecstatic guide for Agni, her devoted spirits and for the audience. Schroeder was mesmerizing at all times, calling out, cajoling, even hypnotizing in his supremely executed and smooth-as-glass lyrical contours, rendering everything as though improvised. He is a superb actor and his command of pseudo-languages was equally impressive. He had you believing that he was fluent in Czech and Japanese when in fact he was singing/speaking neither. He sold made-up words to us with aplomb and convinced us that these dialects were something meta-linguistic — a cosmic language that only Agni’s spirits could speak way off in the beyond somewhere." - Stephen Bonfield, The National Post/The Calgary Herald, 2017

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"Rattling off Mercutio's French language tongue twister Mab la reine des mensonges from Gounod's Roméo et Juliette, Micah Schroeder showed presence and a nicely honed sense of French Style..." - David Duke, The Vancouver Sun, 2014

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"Micah Schroeder demonstrated a nice awareness of style and clearly grappled the Count Almaviva's inner psychology. He became increasingly angry and frustrated, leading up to a moving 'Contessa perdono'..." - Elizabeth Paterson,  Review Vancouver, 2015